Pre Order Available.
William Curtis 1826 ~The 2026 Lord of the May is a beautiful English sampler from Hands Across the Sea.
The sampler is suitable for needleworkers of all levels of abilities but it should be noted that the sampler is not suitable for working on Aida.
Choice of purchasing thread kit only or as full kit with linen.
Full Kit options:
Includes linen of choice + Soie d'Alger or Soie 1003 threads + Chart (+Free Shipping).
Linen Choices:
- 30 ct Fat Half - Victoria Sponge Cake -35" x 36" ~ Recommended for Soie d'Alger Threads only
- 37 ct Fat Half Corn Tassel - 35" x 36" ~ Recommended for both Soie d'Alger and Soie 1003 threads
- 37 ct Fat Half Russian Tea Cake - 35" x 36" ~ Recommended for both Soie d'Alger and Soie 1003 threads
- 45 ct Fat Eighth -Foxtail Millet - 17.5" x 18" ~ Recommended for Soie 1003 Threads
- 48 ct Fat Eighth - Bride Cake -17.5" x 18" ~ Recommended for Soie 1003 Threads
Thread Options:
Au Ver a Soie®, Soie d'Alger - 37 ct version includes 14 skeins. Recommended linen for this thread is 38 ct or lower.
Au Ver a Soie®, Soie d'Alger - 30 ct version includes 15 skeins. Recommended linen for this thread is 30 ct or lower.
Au Ver a Soie®, Soie 1003 includes 14 spools. Recommended linen for this thread is 37 ct or higher.
Soie 1003 Colors:
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SMS 061
- SMS 080
- SMS 289
- SMS 354
- SMS 376
- SMS 486
- SMS 493
- SMS 562
- SMS 601
- SMS 620
- SMS 621
- SMS 624
- SMS 656
-
SMS 723
Soie d'Alger Colors Include:
- SDF 115 - Wedgwood blue
- SDF 204 - Aquamarine
- SDF 236 - Forest green
- SDF 1343 - Blueberry
- SDF 1436 - Pewter grey
- SDF 1714 - Antique blue
- SDF 1836 - Pistachio green (2 skeins for 30 ct)
- SDF 2644 - Alizarin
- SDF 4533 - Mocha brown
- SDF 2756 - Grey green
- SDF 4536 - Micha brown (dk)
- SDF 4643 - Antique mauve (lt)
- SDF 4645 - Antique mauve (dk)
- SDF F17 - Ecru
***Please note, this item is excluded from any discounts or sales.
About the Sampler from the Designer
"In England, May Day celebrations marked the arrival of spring, a time of renewal, growth, and community gathering. Central to these festivities was the Queen of the May, a young girl chosen to represent beauty, youth, and the promise of the season. She was crowned with flowers and presided over the celebrations.
Less often remembered, but equally present in historical accounts, was her counterpart — the Lord of the May. In some communities, a boy was chosen to stand alongside the May Queen, sharing in the ceremony and embodying balance within the festivities. Together, they represented youth, continuity, and the turning of the year.
It is in this spirit that we present William Curtis. His sampler, worked with such care and intention, stands as a fitting companion to the tradition of the May Queen — a rare and compelling example of a boy’s voice expressed through needle and thread.
William’s sampler is a study in learning and progression. Beginning with cross stitch over two threads of linen, he moves through four-sided stitch and eyelets, before working his verse in cross stitch over a single thread. Satin stitches complete the sequence, demonstrating a confident command of technique at such a young age.
The composition is structured and disciplined, with repeating motifs and a carefully controlled colour palette that brings clarity and balance to the design. His verse, stitched in his own hand, speaks directly to the viewer with humility and aspiration — a voice preserved exactly as it was formed.
The sampler is signed as his work, leaving no ambiguity as to authorship. This is not a name recorded on behalf of a child, but a declaration of effort, learning, and identity.
Samplers worked by boys are not unknown, but they are not common. Needlework was most often associated with the education of girls, while boys were directed towards literacy and numeracy. William’s sampler therefore stands apart, offering a rare insight into the breadth of early nineteenth-century childhood education and the values of discipline, obedience, and perseverance that shaped it.
Although many boys named William Curtis were born in 1817, it has not been possible to securely identify the maker within surviving records. What remains is his work — a lasting record of a young boy’s skill and determination."
