The Scarlet Letter - Dorothy Walpole, 1774 ~ Thread Kit

TSL_WALPOLE_SDF

$194.00

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Soie d'Alger Thread Kit Soie 1003 Thread Kit Chart Only

Quantity

Attention customers, conversion to 1003 will not be provided if threads are not purchased with chart. It is only provided if you purchase the thread kit

Note, this chart comes available with a bonus Irish Quaker chart Mary Williams, 1804 which is one of her daughters samplers. Option to add thread kit for Mary Williams with purchase here.

Dorothy Walpole, 1774 is a beautiful Irish Quaker Historical Sampler from The Scarlet Letter.

Stitch count: 181 x 477
The project is recommended for needleworkers of intermediate level.

Choice of purchasing thread kit only, Printed Chart only or as full kit with linen.

Full Kit options:

Includes linen of choice, Printed Chart Booklet + 25 colors of either Soie d'Alger or Soie 1003 threads (+Free Shipping).

Linen Choices:

30 ct Fat Half - Mariner's Map -35" x 36" ~ Recommended for Soie d'Alger Threads only
37 ct Fat Quarter - Russian Tea Cake - 17.5" x 35" Recommended for both Soie d'Alger and Soie 1003 threads
45 ct Fat Quarter -Jersey Cream - 18" x 35" ~ Recommended for Soie 1003 Threads

Thread Options:

Au Ver a Soie®, Soie d'Alger includes 25 skeins. Recommended linen for this thread is 38 ct or lower.

Au Ver a Soie®, Soie 1003 includes 25 spools. Recommended linen for this thread is 37 ct or higher.

***Please note, this item is excluded from any discounts or sales.

About the Sampler from the Designer

"Dorothy Walpole was born in New Garden in the Painestown Parish of Carlow, Ireland. On August 25th, 1794, she married Christopher Williams also of New Garden which was home to a large Quaker community. Where Dorothy worked her sampler is not known but it seems likely she attended a small private school in the locality. Certainly her family owned land in the area and enjoyed a reasonably comfortable lifestyle.

Embroidered on unbleached linen this beautiful band sampler employs Florentine, cross, petit point, queen, herringbone and counted satin stitches. It is divided into sections within a simple strawberry border comprising alphabets in a variety of stitches, a four line verse, a wide band of Florentine work and flowers on curling stems with the petals dramatically outlined. On 40 count linen the reproduction sampler will measure approximately 9″ x 24″ and most closely approximates the size of the original. It is recommended for intermediate level needleworkers. (See also the sampler by her daughter, Mary Williams.

The initials DR remain a mystery. This genealogical information comes via Michael Goodbody.

According to the records in the Dublin Historical library, Dorothy Walpole was a Quaker by birth. She was born 9 September 1762, the daughter of John & Elisabeth Walpole. She died at New Garden 6 June 1829. She married 25 August 1793 Christopher Williams (also a Quaker) of New Garden, Co. Carlow and they had at least seven children, including the two daughters, Elisabeth (born 20 May 1794) and Mary, born 15 October 1797. Elisabeth, possibly known as Eliza died at Newgarden in 1858 aged 64 but that is uncertain. What happened to Mary is unknown. She would have been only seven years old when she did her sampler.

There were a number of sons, including George (born 4 May 1804), who moved to Dublin in 1842. He suffered continuing business difficulties and was “disowned” by the Quaker, although his children appear to have remained members. In 1829 George married Margaret Woods, by whom he appears to have had eight children, including sons George (b.1843) and James (b.1832) who were partners along with Robert Woods in the forerunner of Williams & Woods, preserve manufacturers. George and James were grandsons of Dorothy and Christopher Williams."

Read more information about this historical sampler: https://scarlet-letter.com/dorothy-walpole-1774/

The Scarlet Letter - Dorothy Walpole, 1774 ~ Thread Kit

30 ct Fat Quarter - Mariner's Map - 18 x 35" ~ Recommended for Soie d'Alger Threads only
37 ct Fat Quarter - Russian Tea Cake -18 x 35" ~ Recommended for both Soie d'Alger and Soie 1003 threads
37 ct Fat Quarter - Fuller's Teazel -18" x 35" ~ Recommended for both Soie d'Alger and Soie 1003 threads
45 ct Fat Quarter - Foxtail Millet - 18" x 35" ~ Recommended for Soie 1003 Threads
48 ct Fat Quarter - Bride Cake - 18" x 35" ~ Recommended for Soie 1003 Threads

Thread Options:

Au Ver a Soie®, Soie d'Alger - 37 ct version includes 2 skeins. Recommended linen for this thread is 38 ct or lower.

Au Ver a Soie®, Soie d'Alger - 30 ct version includes 5 skeins. Recommended linen for this thread is 37 ct or lower.

SDF 2924 x 2 (5 skeins for 30 ct)

Au Ver a Soie®, Soie 1003 includes 2 spools. Recommended linen for this thread is 37 ct or higher.

SMS 664 x 2

***Please note, this item is excluded from any discounts or sales.

About the Sampler from the Designer

"Márta’s sampler was stitched in Budapest, Hungary in 1905 and Maggie’s in Pretoria, South Africa in 1900. Whilst the girls lived some 7,447 miles apart, they both stitched a primer sampler as part of their education.

We have made contact with Márta’s family, and they tell us that Márta Sarolta Lujza Mária Kauser was born in Budapest on May 6, 1895. Her parents were Nepomuk János Kauser and Sarolta Kölber. The Kausers and the Kölbers were wealthy families. They often married each other, sometimes for financial reasons. The Kölber family was given a noble title by Franz Joseph I. The Kausers were architects. The most well-known was Jozsef Kauser, who designed numerous public buildings, among them the interior of St. Stephen’s Basilica, a landmark of Budapest.

Márta died five months after her wedding in 1923 as a result of contracting the Spanish Flu.

Maggie Burridge has remained elusive. In a search of family history records, the family name of Burridge appears several times in the Transvaal. However, we cannot find a Maggie/Margaret. Maggie recorded that she stitched her sampler at Abingdon National Girls’ School, Pretoria in the June of 1900. This was during the Boer War.

The origins of the Boer War lay in Britain’s desire to unite the British South African territories of Cape Colony and Natal with the Boer republics of the Orange Free State and the South African Republic (also known as the Transvaal). The discovery of gold in the South African Republic (SAR) in 1886 raised the stakes. A large number of English-speaking people, called Uitlanders (literally ‘Outlanders’) by the Afrikaners, were attracted by the gold fields. This worried the Boers, who saw them as a threat to their way of life.

Maggie’s formative years were dangerous times for people of all races in South Africa. At the same time Maggie finished her sampler, the British launched an offensive to relieve the siege of Pretoria.

We hope that both samplers will bring you and your needle much joy and will soon adorn your red sampler wall."

Hands Across the Sea - Needlework From Distant Shores – Márta Kauser and Maggie Burridge ~ Silk Thread Kit

Hands Across the Sea - Elizabeth Weston~ Silk Thread Kit

$151.00

Pre Order Available. Estimated Ship Date: Late September 2024

Attention customers, conversion to 1003 is only provided if you purchase the thread kit. Purchase of chart only will not provide conversion to Soie 1003.

Elizabeth Weston is an elegant and beautiful large sampler from Hands Across the Sea.

Elizabeth executed her beautiful sampler in cross stitch over 1 and 2 threads, satin stitch and 4 elongated lazy daisy stitches.

The sampler is suitable for needleworkers of all levels of ability.

Choice of purchasing thread kit only, Printed Chart only or as full kit with linen.

Full Kit options:

Includes linen of choice, Chart Booklet + Soie d'Alger or Soie 1003 threads (+Free Shipping).

Linen Choices:

30 ct Fat Half - Victoria Sponge Cake -35" x 36" ~ Recommended for Soie d'Alger Threads only
37 ct Fat Half Corn Tassel - 35" x 36" ~ Recommended for both Soie d'Alger and Soie 1003 threads
38 ct Fat Half - Fuller's Teazel - 35" x 36" ~ Recommended for both Soie d'Alger and Soie 1003 threads
45 ct Fat Half -Foxtail Millet - 35" x 36" ~ Recommended for Soie 1003 Threads

Thread Options:

Au Ver a Soie®, Soie d'Alger - 37 ct version includes 34 skeins. Recommended linen for this thread is 38 ct or lower.

Au Ver a Soie®, Soie 1003 includes 24 spools. Recommended linen for this thread is 37 ct or higher.

***Please note, this item is excluded from any discounts or sales.

About the Sampler from the Designer

"When Elizabeth’s sampler first arrived, we were so excited by her gentle beauty. The sampler had probably been hung, for some time, in a position where dappled sunshine fell across the linen. Rather than detract, the faded elegance has added to her beauty. From the back of Elizabeth’s sampler, and three others from the same school that are in the collection of Hands Across the Sea Samplers, we know that these samplers originally burst with vibrant colours. We chose to replicate the time mellowed colours on the front, with occasional help from the back. The soft pinks, creams and olives of today are a delight for the eye.

Elizabeth made good use of her linen choosing many beautiful motifs to fill her sampler. There are three sections contained within a meandering vine which is heavily laden with a profusion of violas, star flowers and snowdrops. In the top section flanked by baskets and urns filled with a profusion of flowers and fruit is one of our favourite verses ~ “Next unto God Dear Parents I address …….”

This verse was very popular with school girls to stitch on their samplers. It first appeared in 1695 in an educational manual entitled “The Young Man’s Companion: Or, Arithmetick Made Easy” by William Mather. The book was an encyclopaedia of “practical lessons and useful information applicable to many professions and was intended for the use of both the schoolmaster and the self taught”....."

Hands Across the Sea - Elizabeth Weston~ Silk Thread Kit

Hands Across the Sea - Multiply Kindness ~ Silk Thread Kit

$139.00

Multiply Kindness is an original design sampler from Hands Across the Sea.

The stitches used are cross stitch over two threads, satin stitches for the centre of some flower head (the satin stitches can be replaced with cross stitch) and some straight stitches for the flower stamens.

Choice of purchasing thread kit only, Printed Chart only or as full kit with linen.

Full Kit options:

Includes linen of choice, Chart Booklet + Soie d'Alger or Soie 1003 threads (+Free Shipping).

Linen Choices:

30 ct Fat Half - Victoria Sponge Cake -35" x 36" ~ Recommended for Soie d'Alger Threads only
37 ct Fat Half Russian Tea Cake- 35" x 36" ~ Recommended for both Soie d'Alger and Soie 1003 threads
38 ct Fat Half - Fuller's Teazel - 35" x 36" ~ Recommended for both Soie d'Alger and Soie 1003 threads
45 ct Fat Half -Jersey Cream - 35" x 36" ~ Recommended for Soie 1003 Threads

Thread Options:

Au Ver a Soie®, Soie d'Alger - 37 ct version includes 25 skeins. Recommended linen for this thread is 38 ct or lower.

Au Ver a Soie®, Soie d'Alger - 30 ct version includes 31 skeins. Recommended linen for this thread is 37 ct or lower.

SDF 122 ~ Turquoise ~ light
SDF 236 ~ Forest green ~ dark
SDF 631 ~ Pumpkin ~ pale
SDF 1315 ~ Grape ~ dark
SDF 1342 ~ Blueberry
SDF 1344 ~ Blue violet dark
SDF 1723 ~ Turquoise
SDF 1746 x 2 ~ Turquoise ~ very dark (3 skeins for 30 ct)
SDF 1836 x 2 ~ Pistachio green ~ dark
SDF 2125 ~ Avocado green ~ light (2 skeins for 30 ct)
SDF 2144 ~ Olive green (3 skeins for 30 ct)
SDF 2532 ~ Straw ~ light
SDF 2643 ~ Apricot ~ medium
SDF 2924 x 2 ~ Christmas red (4 skeins for 30 ct)
SDF 3024 ~ Cranberry ~ dark
SDF 3046 ~ Mauve ~ medium
SDF 3322 ~ Lavender ~ pale
SDF S3596 ~ Desert sand ~ light
SDF 4622 ~ Salmon
SDF 4623 ~ Rose ~ deep
SDF 4633 ~ Antique mauve ~ light
SDF 4634 ~ Antique mauve ~ medium

Au Ver a Soie®, Soie 1003 includes 22 spools. Recommended linen for this thread is 37 ct or higher.

SMS 002 ~ Turquoise ~ light
SMS 038 ~ Apricot ~ medium
SMS 061 ~ Forest green ~ dark
SMS 067 ~ Antique mauve ~ medium
SMS 077 ~ Salmon
SMS 088 ~ Desert sand ~ light
SMS 124 ~ Antique mauve ~ light
SMS 133 ~ Grape ~ dark
SMS 148 ~ Straw ~ light
SMS 152 ~ Olive green
SMS 223 ~ Mauve ~ medium
SMS 307 ~ Rose ~ deep
SMS 362 ~ Blueberry
SMS 474 ~ Lavender ~ pale
SMS 478 ~ Pumpkin ~ pale
SMS 605 ~ Turquoise
SMS 619 ~ Cranberry ~ dark
SMS 647 ~ Avocado green ~ light
SMS 656 ~ Pistachio green ~ dark
SMS 681 ~ Christmas red
SMS 690 ~ Blue violet ~ dark
SMS 710 ~ Turquoise ~ very dark

***Please note, this item is excluded from any discounts or sales.

About the Sampler from the Designer

"Why an original design versus a reproduction sampler? Since I first started to collect antique samplers, I have obsessively searched for multiplication samplers, but I have never come across the one that made my heart sing and my fingers itch to stitch. Whilst I have a few in my collection, none of them called to me to stitch them.

It was a colourful multiplication table sampler that caught my eye back in the 1980s that led to me stitching my first sampler. Whilst in a dentist’s waiting room, I picked up a magazine and came across an article which featured an interview with Moria Blackburn. There were many photographs of Moria’s beautiful designs, but one particular sampler stood out – a large colourful multiplication table sampler. I immediately wanted to take up stitching and recreate the sampler for my son. My journey with cross stitch and samplers was about to begin.

Within days I visited a needlework store and, whilst I could not find the chart for the multiplication table sampler, I came away with a kit to stitch my first sampler. Several years later, I had stitched all the samplers that Moira had charted but not the multiplication table sampler. After exhausting Moria’s portfolio of work, I went in search of other designers and discovered the needlework community and blogs. It was then that the world of needlework with its beautiful linens and glorious silks flung open its doors and my deep love of samplers worked in centuries past bloomed. This in turn led me to collect samplers and to research their history. A few years later, Hands Across the Sea Samplers released its first reproduction sampler.

Shortly after HATS’ first release, I entered into correspondence with Moria and discovered that the multiplication table sampler featured in the magazine was not one of her own designs but another designer’s. The sampler had caught her eye too, and she had stitched it for her children!"

Hands Across the Sea - Multiply Kindness ~ Silk Thread Kit

The Scarlet Letter - Fruit Tree with Two Animals, circa 1690 ~ Silk Thread Kit

$218.00

Attention customers, conversion to 1003 is only provided if you purchase the thread kit. Purchase of chart only will not provide conversion to Soie 1003.

Fruit Tree with Two Animals, circa 1690 is an English needlework vignette from The Scarlet Letter.

Stitches used to execute sampler are cross stitch over one and two threads of linen

Stitch count: 150 x 150

Choice of purchasing thread kit only, Printed Chart only or as full kit with linen.

Full Kit options:

Includes linen of choice, Printed Chart Booklet + 26 colors of either Soie d'Alger or Soie 1003 threads (+ Free Shipping).

Linen Choices*:

30 ct Fat Eighth - Victoria Sponge Cake - 17.5" x 18"
37 ct Fat Eighth - Russian Tea Cake - 17.5" x 18"
45 ct Fat Eighth - Jersey Cream - 17.5" x 18"

*Linen sizes assume a 3" border

Thread Options:

Au Ver a Soie®, Soie d'Alger includes 28 skeins. Recommended linen for this thread is 38 ct or lower. Au Ver a Soie®, Soie 1003 includes 26 spools. Recommended linen for this thread is 37 ct or higher.

***Please note, this item is excluded from any discounts or sales.

About the Sampler from the Designer

This colorful William III English needlework vignette is executed entirely in gros and petit point stitches (cross stitch over one and two threads of linen). It depicts a large gros point fruiting tree above a scene with very finely stitched petit point leaves, flowers, and two animals, the larger animal likely a wolf, with a lamb slung over its shoulder.

The Eurasian wolves in Britain were huge, feared, and unlike many other species, did not exhibit “island dwarfism”. They were persecuted by law since Norman times. The last wolf in Britain was supposedly killed during the reign of Henry VII, who died in 1509, but due to a lack of records, the wolves of Britain might well have survived into the seventeenth century in remote areas such as Wales or Scotland. As the land became increasingly deforested and more agrarian, their habitat and natural prey became limited and the wolves would have had to rely on domestic animals as prey. The story goes that the last “wild” wolf was shot near Killiecrankie, Scotland, in 1680 by Sir Ewen Cameron of Locheil.

Stitched on 32-count linen the reproduction panel will be the same size as the original- 9-1/2″ x 9-1/2″. The project is recommended for any skill level.

The Scarlet Letter - Fruit Tree with Two Animals, circa 1690 ~ Silk Thread Kit

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